About the picture: The way his hands move, he could be playing a violin. He washes color on, deepens it here, lightens it there, dabs it away in other places. Confidence. Focus. Every motion moves the nocturne forward.
About the project: Rated PJ is a yearlong photography project that explores the question of what motivates certain people to wake up earlier (or stay up later) than others. What I am hoping to catch a glimpse of in this series of portraits is the transition area where the extraordinary and the everyday meet.
Learn more about Fletcher’s work here.
About the picture: Learning the part means more than just memorizing lines; it is about immersing yourself fully in the heart and soul of someone else for a while. It is an early morning task familiar to anyone who performs onstage.
About the project: Rated PJ is a yearlong photography project that explores the question of what motivates certain people to wake up earlier (or stay up later) than others. What I am hoping to catch a glimpse of in this series of portraits is the transition area where the extraordinary and the everyday meet.
Learn more about South of Broadway and Deuce Theatre here.
About the picture: A dancer’s day is one of extreme self-discipline. As Stephanie describes it, the hours of the day are filled with “sweat, striving for near-perfection, and focus.” The act of tying the hair back into a bun marks the transition point. It means the time to work is at hand. It has, for her, an almost meditative quality.
About the project: Rated PJ is a yearlong photography project that explores the question of what motivates certain people to wake up earlier (or stay up later) than others. What I am hoping to catch a glimpse of in this series of portraits is the transition area where the extraordinary and the everyday meet.
So why photograph people in the early morning hours, when they are still in pajamas, t-shirts, and bathrobes?
One reason: light, in the early morning hours, is naturally warm and wonderful. But a better reason is that we all become a little more human in our pajamas. We all begin our days in very similar ways. It’s what we choose to do once we are up and moving that makes all the difference.
Rated PJ is a yearlong photography project that explores the question of what motivates certain people to wake up earlier (or stay up later) than others. What I am hoping to catch a glimpse of in this series of portraits is the transition area where the extraordinary and the everyday meet.
Each portrait is of a person who is in some way enriching the arts and culture of Charleston, South Carolina. The question asked of each of them is this: what motivates you to invest your personal time – often far more time than the average person would be willing to sacrifice – in order to achieve something extraordinary?
I hope that you will enjoy these glimpses into their lives as much as I enjoyed documenting them.
- Jason A. Zwiker
About the picture: Going through a manuscript in progress, pen in hand, is something to which any writer can relate. It is both a way to catch and correct past errors, and to plan out the work that still remains to be done.
About the project: Rated PJ is a yearlong photography project that explores the question of what motivates certain people to wake up earlier (or stay up later) than others. What I am hoping to catch a glimpse of in this series of portraits is the transition area where the extraordinary and the everyday meet.
Learn more about Nick Smith’s books here. You can read one of his latest projects, a web comic collaboration with photographer / artist Charlie Thiel, here.
Here are just a few stage shots from Charleston Ballet’s 2009 Nutcracker performances. It was a wonderful experience, shooting from the wings as these dancers dazzled the audience. Thanks again to Jill and to the entire company for having me there… and for just being the superstars that they are!
Documenting a live performance can be challenging (sending an assistant onto the stage to hold a reflector near someone’s face is a definite no-no) but it is absolutely worth it. You can’t always get the perfect angle (without risking being in sight of the audience, obviously), and you are a bit at the mercy of the stage lighting, so it’s the perfect time to practice being the “branch that bends with the wind,” so to speak.
Use the force, young Jedi (well, that and put on fast glass, up the ISO, and shoot wide open) and you’ll get your shots. Besides, there’s so much positive energy flowing back and forth between the performers and the audience that you can’t help but walk away with a smile!
My grandmother sent me a Barnes & Noble gift card this year for Christmas, inspiring me to purchase Within the Frame: The Journey of Photographic Vision by David duChemin.
It’s a book I very much recommend not only to photographers but to anyone interested in experiencing the world with more awareness and compassion. It does not discuss how to make a photograph so much as why to make a photograph. It is about communicating your personal experience of the world in the images that you share.
Because a photograph should be more than a record of what you saw. It should a record of how you felt while you experienced it.
It’s about remembering that the people in your photographs are not props; they are the people with whom you share this roller coaster ride called life. And you can’t share a ride with someone without feeling something.
Reading duChemin’s book while engrossed in a project I am working on with Jill Eathorne Bahr, resident choreographer of Charleston Ballet, made me more aware of what an amazing gift I had received from her when she invited me behind the scenes of the Nutcracker this season, not only to document what was happening on stage during the performances, but also to capture the quieter moments backstage.
Take any two people to observe a place where other people are interacting and each will leave with his or her own story to tell. There’s an idea, I believe it’s from the Hindu tradition, that we are the eyes through which God – however you may define that – experiences the world. I like that very much. It suggests that each one of us has a personal vision and experience of the world that is profoundly important as part of the whole and that none of us has the complete picture. Does that make sense? To me, it means that we all need each other in order to make any sense of this world at all.
I’ve long understood that the way I see the world is not the most common way. If several dozen people rush to see a parade, but a single person stands in the corner, looking away, lost in thought, I am more drawn to that single individual.
It is worthwhile to reflect on the possibility that what the loudest voices in a crowd tell us to pay attention to may not be always be the most important aspect of a thing. When we look to the side, or behind us, sometimes we see people and ideas that we never knew were there, all along, sharing the ride.
I have met, hands down, the best-natured crowd of people around! I was watching the weather reports carefully when the ever elegant Leigh Webber asked me to help photograph this wedding with her. Sure enough, on the day of the ceremony, the clouds were all across the sky and the rain, it was a ‘ pouring down.
The wedding party just kept flowing in, even so, with big, bright smiles under their umbrellas…
The groomsmen cleaned up nicely…
And soon enough, everyone was ready for the more formal shots, rain or no.
If you have ever had the pleasure of watching Leigh at work, she is a wonder to behold. She has such an easygoing, fun personality and her photography is amazing!
We were in the middle of a series of formals, right outside of Second Presbyterian, when a transformer blew! It made a heck of a noise, we watched the sparks flutter down, and then we all went back to the business at hand. We had a wedding to get on with!
Once the vows were complete and folks made their way to the reception at Hibernian Hall, there was some serious celebrating. The band was one of the best in the Lowcountry: Plane Jane. They had the whole house rocking!
What made this night most special was the way that the bride’s face just lit up every time she looked at her new husband.
He’s definitely a fun-loving, good-natured kind of guy. I bet that has a lot to do with it.
Congratulations, Blair and Charles!
Just a quick preview of some of the cool new friends I made today while photographing a story about the Center for Birds of Prey for Sandlapper: The Magazine of South Carolina.
Thanks so much to Danielle and Sasha! Their smiling faces and fun-loving personalities made this downtown photo shoot an amazing experience!
